Painting · Landscapes · Plants · Catalog HV6GVST7

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso)

Hunhar II (Indian, active mid-1700s) · c. 1765

Mangoes are in varying stages of ripeness, from green to bright orange-yellow.

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Painting · Landscapes · Plants · Catalog HV6GVST7

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso)

Hunhar II (Indian, active mid-1700s) · c. 1765

Mangoes are in varying stages of ripeness, from green to bright orange-yellow.

RIGHTS & PROVENANCE

CC0

Source documented

The source identifies the listed work or media as released under the CC0 1.0 public-domain dedication.

View evidence and reuse notes

Exact rights statement: CC0 1.0 · Cleveland Museum of Art Open Access
Verification notes: The museum's official API record 170890 marks share_license_status as CC0 and supplies the matching web image. The exact object page, accession number 2013.351, API evidence, and institutional Open Access policy are retained. CC0 addresses copyright; the batch still receives general-audience and other-rights review.
Cover or thumbnail: The Cleveland Museum of Art marks this exact record and supplied image CC0.

Original source record ↗Source reuse policy ↗Cover or thumbnail source ↗Community & sharing principles

Report a concern

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Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso)

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Wood Interior

Sudhana and a parrot, folio 20 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)

The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night

A conversation about this work

Preparing the gallery.

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso)

Continue exploring

Wood Interior

Sudhana and a parrot, folio 20 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)

The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night

A conversation about this work